Even into the 2000s, quality faux pearls were used along with other impeccable touches on the company’s high-end lines. When Vrba left to pursue his own business in 1978, Millie Petronzio quite capably took over Haskell’s design team refocusing on more traditional Haskell styles.Īll these designers carried on the tradition of incorporating quality components and skilled craftsmanship into Haskell jewelry while adding their own vision to the designs. He also veered in a different direction by using alternative materials like wood, shells, and natural stones in some of his in his pieces to appeal to a new generation of consumers. Known by his friends as Larry, this designer is credited for the tremendously popular Egyptian revival jewelry sold by Miriam Haskell during the mid-1970s. Peter Raines briefly took his place when he left.Īfter Raines came Lawrence Vrba. He stayed with the firm through the late 1960s and then partnered with William DeLillo to start a new business. While not as well-known as some other heads of Haskell’s design team, he did sketch a number of popular collections. Bottom line, many Haskell designs are intricately crafted and need to be very carefully examined for damage before making a purchase.Īfter Hess left Haskell, Robert Clark became the lead designer for the company. Hard to clean verdigris can also be present on tiny spacer beads, especially when it comes to faux pearl necklaces. This causes the wiring to break and tiny components are easily lost. Pieces that combine brass wiring with faux pearls are notorious for having verdigris present – a bright, bluish-green encrustation or patina caused by atmospheric oxidation.
The real pitfalls of Haskell jewelry, however, are the damage issues that come along with it. All these pieces were unmarked, which can further throw collectors trying to identify them because many can be quite sloppy when viewed from the back. Brooches and clips had the decorative components sewn or wired onto disks made of plastic or perforated metal. These were sewn or affixed to woven cord to fashion necklaces and bracelets.
Readers, from casual admirers to serious collectors and dealers, will find in this comprehensive book the essential information and breathtaking pictures they seek.In contrast, during the World War II era traditional materials were hard to come by so alternatives like wooden beads, genuine seashells, and plastic elements were used instead. The text provides notations on innovations, style preferences, and in-depth descriptions pointing to key Haskell identifiers. The jewelry is categorized by designer, specifying notable eras. Over 600 beautiful color photographs display the most extensive collection of Haskell jewelry ever brought together. It also dispels many of the myths that allow "wanna-bes" and fakes to flourish. It provides specific details on the art, design, style, materials, construction, and signatures, all vital to the identification and dating of Haskell jewelry.
Claims abound that "this is a Miriam Haskell," but is it a Miriam Haskell? This important new book gives collectors the key information to make intelligent buying decisions. The jewelry that bears her name is highly sought after and the prices keep spiraling up. It pro Miriam Haskell began selling beautiful costume jewelry in 1926, and her company continues to the present.
Miriam Haskell began selling beautiful costume jewelry in 1926, and her company continues to the present.
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